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  • Nakamura Daikichi as the Bearded Ikyū [right], Matsumoto Kōshirō V as Hanakawado Sukeroku [centre right], Onoe Kikugorō III as Agemaki of the Miuraya Brothel [centre left], and Seki Sanjūrō II as Shinbei the Sake Seller [left]

Nakamura Daikichi as the Bearded Ikyū [right], Matsumoto Kōshirō V as Hanakawado Sukeroku [centre right], Onoe Kikugorō III as Agemaki of the Miuraya Brothel [centre left], and Seki Sanjūrō II as Shinbei the Sake Seller [left]

Information

Title Nakamura Daikichi as the Bearded Ikyū [right], Matsumoto Kōshirō V as Hanakawado Sukeroku [centre right], Onoe Kikugorō III as Agemaki of the Miuraya Brothel [centre left], and Seki Sanjūrō II as Shinbei the Sake Seller [left] Hige no Ikyū Nakamura Daikichi, Matsumoto Kōshirō Hanakawado Sukeroku, Miuraya Agemaki Onoe Kikugorō, Shirozake-uri Shinbei Seki Sanjūrō の意久 中村大吉 花川戸助六 松本幸四郎 三浦屋揚巻 尾上菊五郎 白酒うり新兵衛 関三十郎
Artist Utagawa Kunisada (Toyokuni III) 歌川国貞 (三代目豊国) (1786–1865)
Date 1822
Play Sukeroku sakura no futae obi
Theatre Kawarasaki
Publisher Uemura Yohei
City Edo
Signature Gototei Kunisada ga 五渡亭国貞画
Censorship seal(s) kiwame 極
Publisher’s seal(s) Ue-Yo 上与
Object number SH2018-DM-020
Credit Line Gift of Muck and Mieke Douma
Provenance Gifted to the Japan Museum SieboldHuis in April 2018 by Muck and Mieke Douma

Description

This multiple-sheet design by Kunisada portrays a Sukeroku play. First performed in the early 18th century, many adaptations of the vendetta tale have appeared on the stage since. The story always centers on Sukeroku, a young hotheaded samurai who searches the Yoshiwara brothel district for his father’s killer, the bearded villain Ikyū. At the same time, the courtesan Agemaki is caught up in a love triangle with the two men. In 1822 in the Kawarasaki Theatre in Edo a version was performed called Sukeroku sakura no futaeobi (Sukeroku, Two Cherry Blossom Sashes), with the kabuki superstar Matsumoto Kōshirō V (1764–1838) in the lead role of Sukeroku. Kōshirō V was actually more famous for his depiction of the story’s villain, Ikyū. However, on this occasion that role belonged to Nakamura Daikichi (1773–1823), in one of his final performances.