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  • Nakamura Daikichi as the Bearded Ikyū [right], Matsumoto Kōshirō V as Hanakawado Sukeroku [centre right], Onoe Kikugorō III as Agemaki of the Miuraya Brothel [centre left], and Seki Sanjūrō II as Shinbei the Sake Seller [left]

Nakamura Daikichi as the Bearded Ikyū [right], Matsumoto Kōshirō V as Hanakawado Sukeroku [centre right], Onoe Kikugorō III as Agemaki of the Miuraya Brothel [centre left], and Seki Sanjūrō II as Shinbei the Sake Seller [left]

Information

Title Nakamura Daikichi as the Bearded Ikyū [right], Matsumoto Kōshirō V as Hanakawado Sukeroku [centre right], Onoe Kikugorō III as Agemaki of the Miuraya Brothel [centre left], and Seki Sanjūrō II as Shinbei the Sake Seller [left] Hige no Ikyū Nakamura Daikichi, Matsumoto Kōshirō Hanakawado Sukeroku, Miuraya Agemaki Onoe Kikugorō, Shirozake-uri Shinbei Seki Sanjūrō の意久 中村大吉 花川戸助六 松本幸四郎 三浦屋揚巻 尾上菊五郎 白酒うり新兵衛 関三十郎
Artist Utagawa Kunisada (Toyokuni III) 歌川国貞 (三代目豊国) (1786 - 1865)
Date 1822
Play Sukeroku sakura no futae obi
Theatre Kawarasaki
Publisher Uemura Yohei
City Edo
Signature Gototei Kunisada ga 五渡亭国貞画
Censorship seal(s) kiwame 極
Publisher’s seal(s) Ue-Yo 上与
Object number SH2018-DM-020
Credit Line Gift of Muck and Mieke Douma
Provenance Gifted to the Japan Museum SieboldHuis in April 2018 by Muck and Mieke Douma

Description

This multiple-sheet design by Kunisada portrays a Sukeroku play. First performed in the early 18th century, many adaptations of the vendetta tale have appeared on the stage since. The story always centers on Sukeroku, a young hotheaded samurai who searches the Yoshiwara brothel district for his father’s killer, the bearded villain Ikyū. At the same time, the courtesan Agemaki is caught up in a love triangle with the two men. In 1822 in the Kawarasaki Theatre in Edo a version was performed called Sukeroku sakura no futaeobi (Sukeroku, Two Cherry Blossom Sashes), with the kabuki superstar Matsumoto Kōshirō V (1764–1838) in the lead role of Sukeroku. Kōshirō V was actually more famous for his depiction of the story’s villain, Ikyū. However, on this occasion that role belonged to Nakamura Daikichi (1773–1823), in one of his final performances.